“And the best, the most immersive version of that is IMAX. “Chris makes films for theatres, for moviegoing audiences,” says Cillian Murphy. According to Nolan, the film will still look incredible on just about any screen (other than at home), as Nolan’s team has worked for six months to digitise the original film for other formats to ensure the best experience on every screen. The additional 5 mm contains the four magnetic stripes, holding six tracks of. The vast majority of moviegoers should have access to digital presentations of the film, which mean a laser projected image with be formatted and displayed on screen.Īnd if you’re not close to an IMAX cinema (or PLF screens), don’t despair. For projection, the original 65 mm film is printed on 70 mm (2.8 in) film. 1570 Film has a native resolution of up to 16K, far higher than any other format.
Melbourne, for example, is one of 30 locations globally with a 1570 projector. The most ideal format to view films like Oppenheimer are in an IMAX cinema using a 1570 Film projector. If you’re a cinephile, as Nolan suggests, it’s highly recommended viewing Oppenheimer in an IMAX cinema near you. If we can put that camera, you know, 6 inches from Cillian ’s nose, and just, with absolute clarity, look into his eyes, look into his soul, is it going to help us take the audience into his point of view? And I think it does.” But we also talked about the intimate moments. “We knew that IMAX was going to give us the Trinity sequence, which we knew had to be a showstopper. Nolan says IMAX can enhance even the quietest parts, too. IMAX film cameras and those IMAX film projectors, they give you a format that’s the closest analogy to way the eye sees the world.”
“I liken IMAX to sort of 3D without the glasses. He went on to say in another interview that by viewing films in an IMAX cinema, like Oppenheimer, you’re able to fully immerse yourself into a film of such scope and magnitude.
It really is just a great way of giving people an experience that they can’t possibly get in the home.” “We put a lot of effort into shooting the film in a way that we can get it out on these large format screens. “The sharpness and the clarity and the depth of the image is unparalleled,” Nolan told T he Associated Press in an interview earlier this year. Beyond being a proprietary system of high-resolution cameras, film formats, film projectors (and subsequent global theatres), it’s also the very best way - some would say only way - to watch a film for how it was intended.Īnd if you don’t believe us, take it from Nolan himself - the guy who has shot a majority of his awarding-winning films, like Tenet, Dunkirk and The Dark Knight Trilogy, using mostly IMAX cameras. For those uninitiated in cinema speak, IMAX is more than just the big-screened cinema you might have visited once or twice growing up.
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